Seanna Latiff is a multidisciplinary artist and curator from Trinidad and Tobago based in Los Angeles. Her multidisciplinary practice explores the emotional and psychological legacies of displacement, drawing from Caribbean folklore, personal mythology, archival research, and lived experience to examine how grief, migration, and inherited histories continue to shape contemporary life. Through richly symbolic imagery, she constructs psychologically and spiritually charged worlds that blur the boundaries between myth and memory, the living and the dead, and the personal and collective. Her work considers how systems of otherization shape relationships to self, spirit, and community.
She holds dual bachelor’s degrees from the University of Southern California and has exhibited at the Yerba Buena Center for the Arts (San Francisco, CA), Good Mother Gallery (Los Angeles, CA), the Fisher Museum of Art (Los Angeles, CA), UCI Catalyst Gallery (Irvine, CA), Ruscha & Co (Los Angeles, CA), Band of Vices (Los Angeles, CA), Monte Vista Projects (Los Angeles, CA), and the Kerckhoff Art Gallery (Los Angeles, CA). She contributed curatorial support to group exhibitions at the Institute of Contemporary Art, Los Angeles, including The Infinite Rehearsal (2023) and Speaking in Tongues (2026). Most recently, she independently curated Shuhūd (Witnesses) at Monte Vista Projects, a group exhibition featuring over 100 works by more than 40 artists, alongside a corresponding art benefit auction supporting the Sameer Project’s Rebuild Gaza campaign.
